{"id":22868,"date":"2019-08-05T05:42:51","date_gmt":"2019-08-05T03:42:51","guid":{"rendered":"https:\/\/www.ensemble-megaphon.com\/?p=22868"},"modified":"2021-07-12T09:34:07","modified_gmt":"2021-07-12T07:34:07","slug":"concert-3-exercise-in-turn-doubt","status":"publish","type":"post","link":"https:\/\/www.ensemble-megaphon.com\/en\/konzert-3-uebung-im-zugewandten-zweifeln\/","title":{"rendered":"Concert 3 Exercise in facing doubt\"."},"content":{"rendered":"

A cooperation project between Ensemble Megaphon and Ensemble Reflection K<\/a><\/p>\n

with works by Gerald Eckert, Snezana Nesic, Luigi Nono and Helena Tulve.<\/p>\n

Within the framework of the Festival Music 21 Lower Saxony<\/a><\/p>\n

Sunday, 8.9. 2019, 11.15 a.m.
\nSprengel Museum Hanover<\/a><\/p>\n

VVK box office at Sprengel Museum from 10:30 a.m.
\nAdmission \u20ac 15\/10<\/p>\n

By this, and this only, we have existed
\n\u2026
\nIn our empty rooms<\/p>\n

One of the central aspects of this concert can be described as \"spatial relations\". This can be a poetic approach to imagined spaces, as in the case of the reference to part of \"the waste land\", a poem by T. S. Eliot. But it can also refer to the existence of differently shaped spaces, to their juxtaposition and their manifold interaction: Whether in Luigi Nono's work it is an acoustic building initiated by almost consistently quiet, subtle sound constellations that pile up into a large sound vault, or in Snezana Nesic's work the superimposition between violin and video, or in Gerald Eckert's \"den angesto\u00dfenen Augen der Steine\" the various degrees of approach and distance of sound figures unbreakably facing each other in the field of tension between what is momentarily emerging in the now and what has already passed.<\/p>\n

Or, as Haruki Murakami describes it in his book \"1Q84\": \"(...) Butterflies are extremely fleeting, graceful creatures. They are born, quietly follow their limited tiny needs and imperceptibly disappear again. Perhaps into another world.\"<\/p>\n

Programme:<\/p>\n

Gerald Eckert
\n\"new work \" (2019) UA
\n<\/strong>for flute, clarinet, violin, violoncello and electronics<\/p>\n

Luigi Nono
\n\"A Pierre. Dell'azzurro silenzio, inquietum\" (1985)
\nfor double bass flute, double bass clarinet and live electronics<\/p>\n

Snezana Nesic
\n\"Mirabilia (Litany for Water)\" (2017)
\nfor violin and electronics<\/p>\n

Gerald Eckert
\n\"Schemes - Field 30\" (2014)
\nfor double bass clarinet and tape<\/p>\n

Gerald Eckert
\n\"the bumped eyes of the stones\" (2014)
\nfor double bass clarinet, violin, live electronics and tape<\/p>\n

Helena Tulve
\n\"stream\" (2006)
\nfor flute, clarinet, violin and violoncello<\/p>\n

Contributors<\/strong><\/p>\n

Ensemble Megaphon \/ Ensemble Reflection K<\/p>\n